English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | A Song of Springtime | A Roman Offering | The Annunciation | A Tale from the Decameron | Saint Cecilia |
Related Artists:
Antoine-Francois Callet
(1741-1823, Paris), generally known as Antoine Callet, was a French painter of portraits and allegorical works, who acted as official portraitist to Louis XVI. He won the grand prix de Rome in 1764 with Cleobis et Biton conduisent le char de leur mere au temple de Junon (Kleobis and Biton dragging their mother's cart to the temple of Juno). He was accepted by the Academie des beaux arts in 1779, with his entry piece being a portrait of the comte d'Artois, and received with his allegory Le printemps (Spring) in 1781. He exhibited at the Salon from 1783 onwards. He painted the centre of the ceiling of the grande galerie of the palais du Luxembourg, with a composition entitled L'Aurore (Aurora). Under the French Consulate and the First French Empire he painted several more allegories, including an Allegorie du dix-huit brumaire ou la France sauvee (Allegory of 18 Brumaire, or France saved - 1801, château de Versailles) and an Allegorie de la bataille d'Austerlitz (Allegory of the Battle of Austerlitz - 1806, château de Versailles).
Arvid Ahlberg
painted Segelbatar, Vastkusten in 1907
Franz von Stuck
German Symbolist/Expressionist Painter and Sculptor, 1863-1928 Stuck was born at Tettenweis, in Bavaria. From an early age he displayed an affinity for drawing and caricature. To begin his artistic education in 1878 he went to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy. He first made a name with cartoons for Fliegende Blätter, and vignette designs for programmes and book decoration. In 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for The Guardian of Paradise. In 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, Athlete. The following year he won further acclaim with the critical and public success of what is now his most famous work, The Sin. Also in 1893, Stuck was awarded a gold medal for painting at the Chicago World's Fair and was appointed to a royal professorship. In 1895 he began teaching painting at the Munich Academy. In 1897 Stuck married an American widow, Mary Lindpainter, and began work designing his own residence and studio, the Villa Stuck. His designs for the villa included everything from layout to interior decorations; for his furniture Stuck received another gold medal at the 1900 Paris World Exposition. Having attained a high degree of fame by this time, Stuck was elevated to the aristocracy on December 9, 1905 and would receive further public honours from around Europe during the remainder of his life. Even as new trends in art left Stuck behind, he continued to be highly respected among young artists in his capacity as professor at the Munich Academy. Notable students of his over the years include Paul Klee, Hans Purrmann, Wassily Kandinsky, and Josef Albers. Franz von Stuck died in 1928; his funeral address memorialized him as "the last prince of art of Munich's great days". He is buried in the Munich Waldfriedhof next to his wife Mary.